Versace pre-fall 2022 men’s clothing collection

When it comes to high collaborations, it won’t be easy to eclipse the Swap, better known as Fendace, the brand’s stroke of genius orchestrated by Donatella Versace and Silvia Venturini Fendi and Kim Jones of Fendi, who has landed in September on the Internet. . Pirouetting one another’s archives, the fashion trimurti have swapped their respective fundamentals in a crossing of key codes that has not diluted visual identities or values.

Back on the planet Versace for a meeting in a showroom, the pre-fall had a subdued Fendace vibe, a kind of catching breath after the collaboration, fueled by Donatella’s inexhaustible energy. According to the design team, the Swap experience was fabulous but rather intense in its realization: “It was unbelievably amazing,” they said. “They drove us crazy, but in a fun way.”

Sitting in stores alongside the Fendace collection, the pre-fall reads like a visual antidote to the daring impact of the show’s print overload. An enlarged black and white incarnation of the Barocco motif has been introduced, proof of the vitality of the house’s archives. Explaining her take on the collection, Donatella alluded to the unabashed acceptance of challenges and reinventions that drive her working philosophy. “Who said it can’t be black and white?” I see creativity as an opportunity and a way to look at things you’ve known all your life from a different perspective, turning them into something new that, like a scent, reminds you of past emotions, but now they are. fully connected and rooted in the present moment.

Without softening too much of the sassy early 2000s Swap vibe, a sexy, bodycon figure was the star of the collection, with stretch jersey dresses pierced with keyholes at the neckline and flashes of lingerie string protruding from the top. from hips low stretch pencil skirts. , or projecting to the neckline of plunging V necklines. Waist-tight suits and coats were cut to the waist, narrow shoulders and almost stern but very sexy, territory that Versace navigates quite adroitly. And the responsible-sourced vegan latex looked no less than luscious on a not-so-bourgeois baby pink trench coat, and tight black midi dresses and bellyless top / skirt combinations, paired with boot hybrids. / matching stockings. The evening at Versace is always a glamorous affair played to the maximum of power; examples here were the black mesh illusion sparkling figures of fan-shaped inserts and brooches of jewelry, and further studded with a cascade of rhinestones and crystals of every possible shape and size. The notion of wallflower is lost at Versace.

The black and white Barocco print served as a visual link between the men’s and women’s collections. It was imaginatively treated on classic bespoke suits, where formal fabrics like flannel, prince of wales, houndstooth, and checkered wool were overprinted with flourish patterns, highlighted with outlines. metallic. On the same note, an oversized puffer jacket and matching boxy shirt and board shorts were rolled in silver which was corroded and peeled off. Although he shouted Versace in all his peacock glory, he highlighted a move away from the streetwear and loungewear wave towards a higher, more luxurious energy. What Donatella seems to be enjoying now is a shameless return to go-go fashion, with no restrictions.

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